Eragon, by Christopher Paolini. This book, for me, was encouraging because the author was so young when he wrote it, yet it turned out so good; you'd never know a fifteen-year-old wrote it. Very impressive, though I'll admit it's a bit Star Wars meets Lord of the Rings with dragons. But then, basically nothing is new anymore. Brisngrr-the third book-was a bloodbath, however; way too much unnecessary details. Human muscle called "meat?" Really, Mr. Paolini? And the weird cult in the first bit of the book wasn't justified, as it served no purpose, not even a fair bit of reflective thought for the main character. But the first two books were brilliant--- especially the title of "Eldest"--- I was so curious to know why the book was called that I read it through. And wasn't disappointed with the answer, either.
Percy Jackson and the Olympians, by Rick Riordan. Another impressive series---Percy, Annabeth, and Grover may be a bit of another Harry, Hermione and Ron, but the series is very new, a take on the Greek myths like I've never seen before. And besides, the writing is incredibly engaging---something that's happening less and less in today's books. There are a lot of brilliant ideas, but the presentation of these ideas is done so poorly you can't be taken in. But Percy Jackson--- it had an ending that was so unexpected! Very impressive.
The Gallacher Girls series, by Ally Carter. Brilliant idea by the author, but the writing wasn't terrific. I really, really, really hate saying that about any book, but it just wasn't up there. The idea was amazing, though, and I have to give the author a lot of credit for that.Jane Eyre, by Charlotte Bronte. It's a classic. I started with the abridged version, then when I was in junior high I moved onto the Real Thing. I must say, Rochester really, really annoys me. But it just adds to the book, in some crazy way! Charlotte really had something amazing in her, here.
The sequel to Stargirl: Love, Stargirl was probably just as much a tear-wrencher as Stargirl was. She was so sad. Her pebble wheelbarrow made me cry the most---it was up to twenty, then down to none. All over Leo. Sad, sad, sad. But beautiful in its sadness.Pride and Prejudice, by Jane Austen. Another classic, Pride and Prejudice seems horrifyingly long and boring during the first read through, and then humorous and short the second time round. Or at least that's how it worked for me. Also, I think I have a characterization-problem-complex: I can't stand Mr Darcy, Edward Cullen, or Mr. Rochester. They all drive me nuts. And they're all better in the movies. Weird, huh?
Aretmis Fowl, by Eoin Colfer. Evil boy genius meets fairy world. Loved it. Okay, it's for young boys, not 15-year-old girls, but still! I've only read the first two books, being that I really am a 15-year-old girl, but I can just sense the goodness coming out of Artemis by book two---he's got a good side, no matter what anyone says. I was ridiculously amused during the second one, when he and Captain Holly Short had to work together...! Admittedly, it's got a bit of that subject that little boys apparently love---bathroom humor--- that bugs me because I live with a lot of that as it is, as I have two brothers from ages 10-14. But brilliant concept in this book, very new. The bad good guy.Heist Society, by Ally Carter. Whatever Ms. Carter lost in writing style in the Gallacher Girls series, she made it up in Heist Society. Loved the writing. My only major complaint was that I wanted more of all the guys, I wanted to know their characters so much better! This was another good bad guys story. Kat, Hale, Gabrielle and the rest were technically thieves, but in the story they were stealing things back from false owners---to save Kat's father. I had my doubts before reading it through, but I ended up loving it.
"Do you bite your thumb at us, sir?"
For some reason, the above was lost on my family, when I realated it with hysterical laughter.
"It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief"
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief"
Maybe it's just because it's classic, but still beautiful.
...and the below is really the only reason why you read this whole post, huh?
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